1. |
Pink Nothing
09:13
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2. |
Pink Something
10:24
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3. |
Unresolved Resolution
09:31
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4. |
The Lost Microphone
10:25
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Tom Richards London, UK
Hardware based electronic music using instruments designed and built by the artist. Tom also reimagined and constructed Daphne Oram's unfinished 'Mini Oramics' graphic sound synthesiser system.
If you like Tom Richards, you may also like:
Tape Works Vol. 1
by Langham Research Centre
supported by 35 fans who also own “Pink Nothing”
This album has really inspired my music and my use of musique concrete techniques and ideas in my music. This album has helped me release the potential in all the objects around me and the sounds they could make when processed. Aside from that, this album stands out to me as a serious but actually slightly playful set of mostly non linear tracks, none of which I can say is my favourite. There is nice use of speaking samples from television (it seems) sprinkled in, but not nearly enough to make this some kind of plunderphonics affair. There seems to be use of modulars too, inspiring me to research more into the use of modular synth in experimental music. I can't well put into words how well this album works for me, but I guess that's enough of a statement in of itself.
go to album
Tape Works Vol. 2
by Langham Research Centre
supported by 32 fans who also own “Pink Nothing”
go to album
The Harmonic Canon
by Dominic Murcott / arx duo
supported by 31 fans who also own “Pink Nothing”
go to album
MinaeMinae, from Germany, make psychedelic electronic music with a dense collage of sound and giddy, skittering beats.
go to album
Cosmic polyrhythmic explorations on the debut from multimedia artist and producer MinaeMinae were inspired by a trip to India.
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A beautifully haunting record from ARIGTO with atmospheric drones that shapeshift constantly.
go to album
supported by 30 fans who also own “Pink Nothing”
go to album
